BR 12:05, Oct 1996
Jesus as Pop Icon
The unknown religious art of Andy Warhol
On April 1, 1987, over 2,000 denizens of the art, rock and film worlds, the international jet set, and a throng of anonymous New Yorkers climbed the steps of St. Patricks Cathedral to attend memorial services for Andy Warhol, the Pope of Pop, whose Campbells Soup cans became more real than those on our pantry shelves. Most learned for the first time that day of the painters lifelong church attendance and personal piety, which the flamboyant Warhol had kept largely to himself.
In the sixties, Warhols silver foil-covered Factoryhis studio and the offices of Andy Warhol Enterprises in Manhattanwas a popular drop-in place for artists, film friends, art dealers, speed freaks, acid heads and transvestites. The Warhol of this period was a passive but ruling presence in black leather and dark glasses. Awed by the company of the rich and the famous, this Warhol had a prodigious appetite for experiencing life through observing rather than participating. In the seventies, the media knew a different Warholwearing black tie and grotesque wigs at dinner tables with movie stars, rock stars and international celebrities, and even with three successive American presidents at the White House.