For more than a century, it was believed that the dulcimer had existed in antiquitypartly because of a relief discovered at Nineveh in 1850 by Sir Austen Henry Layard. In Layards drawing of the relief (above) and in the photo (above), the supposed dulcimer player is the third figure from the right. A large crack in the soft limestone, partially obscuring the horizontal instrument, widened during transportation to the British Museum in London. When the British historian George Rawlinson published an illustration of the instrument (below) in the 1870s, it was depicted as a sort of dulcimer. The crack on the relief was then filled in, and the stone slab restored to show an instrument similar to a modern dulcimer, with strings stretched over a horizontal sound box and struck with a hammer. A hundred years later, in 1979, Terence C. Mitchell had the 19th-century restoration work removed (as shown in the photo, above). What had long been identified as a rare image of a dulcimer turned out to be nothing other than a common horizontal harp (redrawn by Ann Searight, below), the upright bar of which had run right below the crack. This vertical bar held the strings taut above the horizontal baseboard. Harps of this type appear frequently in the art of antiquity.